Do you have a book you want to write?
Finding it tough going on your own?
As a two-time New York Times bestselling writer
—as well as an editor of other bestsellers and a writing coach to bestselling writers—
I can help you unearth and share your story and/or your message.
Whether I work with you as a book consultant, writing coach, editor, or writer,
or through my Boost Your Business with a Book e-course,
together we’ll make your content sound like you–only better.
It all starts with a chat and/or some sloppy copy.
Call me for a free 20-minute chemistry and project consultation and I’ll explain.
Or if you’re looking for a simple self-publishing solution,
check out Incubation Press, our sister site.
Assumptions About Writing
Assumptions about writing start with people, often under the influence, asserting to authors that "you should write my book." If you're a writer, I'm guessing you've heard that line as often as I have. It takes every ounce of self-control for me not to retort, "Write...
Bring Your Story to Life: Dialogue
If you’ve ever read dialogue that sounded like two robots trying to sell each other insurance, you know how quickly it can kill a scene. Good dialogue, on the other hand, is magic. It makes characters sparkle, tensions crackle, and readers feel like they’re...
Finding a Literary Agent
Every writer dreams of that magical moment—finding a literary agent who "gets” your work and wants to champion it. Cue the champagne and movie deal! But before you pop the cork, there’s the small matter of actually finding said agent. The search for a literary agent...
Book Promotion Starts with Category Selection
When it comes to promoting your book, most authors think about reviews, ads, or social media buzz. But here’s a sneaky little truth: one of the biggest marketing moves you can make happens before you even launch—when you choose your Amazon categories. That category...
Point of View in Fiction
In fiction, the point of view (POV) is the lens through which readers experience your story. Each has pros and cons. First person (“I”): Immediate, intimate. Great for voice-driven stories. Limiting, since you only know what the narrator knows. Third person limited:...























